The camera glides slowly, soundlessly through the hall, towards the chandelier and then underneath it. In the film's black and white photography it looks like glowing gigantic thousand-armed squid in some terrifying darkness-deep of the ocean. But it also looks like a Persian calligraphic inscription carved in molten light against a filigree background. As the eye dives beneath the chandelier, the shimmering outline of another appears down the hall.
Posts
0 comments:
Post a Comment